Essay Sample on Creativity and Cultural Industries

Published: 2023-02-27
Essay Sample on Creativity and Cultural Industries
Type of paper:  Presentation
Categories:  Economics Entertainment Asia Sustainable development
Pages: 5
Wordcount: 1280 words
11 min read

The emergence of and development of creative industries in China have been a transformative process that has seen the country grow into a mega economic hub in the global sphere. The continent's increasing industrialization has been their main focus and a contributing factor to the creation of creative industries. Looking at the concept of development of creative development of industries in China and other parts of the world such as the Western Europe, China has maintained a constant rapid growth ever since the beginning of the 21st century while in Western Europe, the concept of creative industries was a pre-concept that only emerged in the post-industrialization period. The essay will thus look into the concept of creative industries in Asia and their application and contribution in the general economy, looking at examples that are relative to it and other cities in the world.

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The desire for value addition in the industrial sector has been on the rise due to the result of developing economic growth. The creative cultural industry has been booming, and this has been an expected change that considerable would see the country take a shift to become an energy-saving and environmentally friendly and the application of efficient economy by highly depending on the technological process and scientific progress. The central government of the country and the various administrative units such as provinces and cities are taking keen interest and offering support to the development of these creative industries as they are considered to be the defining factors in the growth and prosperity of the nation economically (Jones, C., Lorenzen, M. and Sapsed, J. eds., 2015, 7)

Development of Creative Industries in Shanghai and Beijing


Shanghai stands as a major transport center in China's Coastline and also as the economic center as a golden water house of river Yangzi which is the longest river in China. Shanghai is the core city of the global sixth biggest metropolitan. Being a major economic hub in the country, it is, therefore, safe to pint out the economic potential of the city. Its culture is also different from the other cities, and this, therefore, makes the city unique and thus a center for creative industries.

Shanghai is the pioneer city for the development of creative industries. The city enjoys great backing from the government, which further puts the city at an advantage. It is recorded that by 2006, the number of creative industries in the town had grown to a staggering 75 industries. These industries make great use of deserted industrial archaeology, which creates a potential economic ground in social welfare. A 22% increase in the cities GDP was recorded in 2006 over the past year. The city's development and growth in creative industries have helped neighboring industries such as Hangzhou and Nanjing take a similar shift in economic development.


Shanghai, as discussed earlier, operates on a development model of flexibility and modernity, while Beijing, on the other hand, operates in creative industry clusters that have bigger grounds and more human labor and other resources. The long history that Beijing enjoys stands as its advantage, and also being the capital city of China, creative development had to be implemented because the city stands as an economic hub. Self-developed creative industries in the city such as the 798 Art Zone, Technology Park, and Zhongguancun Science are the well known as the economic hubs and creative industries that have become the dreamlands for youths all over the city. The city enjoys great support from the municipal administration. The city has adopted these three clusters as the new drive for economic growth in the region.

Additional values that creative industries in the city have contributed to are a staggering 99.26 billion Yuan in 2007, amounting to 10.6% of the GDP. The reason why these cities have continually grown in creative industries is that these industries are space-saving, consume low power, lower pollution, and the high added value in the economy. Creative industries are a blend of both creativity and culture, which have great advantages compared to traditional industries.

The fundamental strengths that provide support for these creative industries include the use of re-shaping traditional culture. Shanghai and Beijing have since grown into economic hubs thanks to the contributive factor in the development of creative industries (Cunningham, S. and Potts, J., 2015, 3879)

The connection between Culture Industries and Creative Industries

Developing creativity by the integration of culture is the core concept in the creation of an economic base. Culture industries serve as economic resources that can be attributive in things such as through Artworks, paintings, and exhibits. Cultural industries also act as a magnificent of other economic elements such as labor equality, management, and the systematic arrangement to help in improving the efficiency of operations in an economic lence. The additional value that cultural industries contribute to creative industries acts as a unique synergy in order to increase productivity (Ying, K., 2017, 92)

Industrial cultures also enhance reform and force innovation as it encourages improvement in labor and in the enhancement of the abilities to generating new ideas as a way to develop quality labor force. This integration between industrial cultures and creative industries, in the long run, improves the image of the city with a strengthened cultural experience and a representation of a high level of urban development. Shanghai is a major cultural center in China, is a perfect example in this case because it is through this synergy led to its tremendous growth economically.

Comparing the concept of cultural industries to de-westernization, China had grown economically due to its immense and unique cultures. De westernization saw the emergence and development of creative industries during the post-industrialization era, while China developed creative industries based on their cultural aspects, which were then an economic hub and ground for motivation to creative industries (Fahmi, F.Z., Koster, S. and van Dijk, J., 2016, 68).

Creative industries enhance effort in that it represents the concepts that create the driving force to both consumption and production. Creative industries help in the upgrading of structure and the introduction of new production elements. Creative industries influence industrial structure by means of manual labor variation in the workforce.

The background concept of creative industries is the aspect of constant creativity; this promotes the reorganization of resources and rebuilding competitiveness. In a global context, these industries have grown to become an essential indicator of measuring countries' or cities' competitive index. Nations and regions view creative industries as a pillar to economic prosperity, which helps in promoting competitiveness and general growth. Creative industries also help in the promotion of and enhancing the upgrading of industrial structure, which is a contributive factor in building the image of the region. These industries if merged with cultural industries have since become a defining factor in the success of many industries and regions as it promotes economic development and regional development. China has grown exponentially as a powerhouse for economic development because of the integration of cultural industries such as artworks and paintings to creative industries, and so does its regional economic growth (Taylor, S. and Littleton, K., 2016, 8)


Cunningham, S., and Potts, J., 2015. Creative industries and the wider economy. In The Oxford Handbook of Creative Industries (pp. 387-404). Oxford, UK: Oxford University Press.

Fahmi, F.Z., Koster, S., and van Dijk, J., 2016. The location of creative industries in a developing country: The case of Indonesia. Cities, 59, pp.66-79.

Jones, C., Lorenzen, M., and Sapsed, J. eds., 2015. The Oxford handbook of creative industries. Oxford University Press.

Taylor, S., and Littleton, K., 2016. Contemporary identities of creativity and creative work. Routledge.

Ying, K., 2017. Cross-boundary Creative Design in the Era of Digital Media. Journal of Heihe University, (4), p.91.

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