The paper tries to give a near investigation of the two movies particularly in light of their local research and the consequences for their group of onlookers. The Boyz n the hood was released in the year when there was a lasting transformation in the film industry in the American nation. The movie promised almost everything that was needed from the raps of the gangster groups, guns, sex, drugs, violence, and money. Most parents did not want their children to watch the movie because they had the responsibility of keeping their children away from such vices in the society (Singleton no page). The film was considered a touchstone in a culture that cut across all the races in the country, and even the white youths had the guts to try and have a glimpse at the developments in the film. The film was firmly grounded on the problems in the society brought about by the heavy reliance on drugs and the extent of poverty in the community (Singleton no page). The film gave out the lives of young children who had access to guns in their ghetto lifestyles. It was centered on the poverty indexes and the inadequate options that came with the problem of poverty in the country. The main characters in the movie Doughboy, Tre, and Ricky had the problem of balancing between their college scholarships and the careers in the drug and hustling business.
Boyz n the Hood is pegged on the battle between societies concerning culture. Tre seems to be divided into which religion to belong to because he is faced with two separate cultures in his neighborhood. These cultures are the mainstream culture and the hood culture. The choice between these two cultures would be significant in the aligning of the prospects in his life. It is quite evident that his father wants the best future for his son and would require his son to be successful in the mainstream American Society (Singleton no page). However, Tre has a problem in dealing with his friends who are more inclined to the hood culture Ricky has athletic ability and would be more linked to his brother Doughboy who has spent most of his time in prisons and is in the drug business.
On the other hand, the breakfast club is a strict piece of art that is highly harmonized in the principles of the trilogy often called the family trilogies. The play takes a different style form the one on the Boys n the hood based on the arrangement and the organization of the characters in the game. The film is based on a significant theme of poverty and superstitions. It is deeply rooted in the issues linked to the societal curses and the general starving of the community. The aspect of debt has been used to help bring out the gap that exists between the rich and the poor in the society (Hughes no page). This phenomenon is seen from the manner in which the play brings out the aspects of the real west persons and the starving class in the community.
The breakfast club shares the remarkable aspect of the American dream on family issues that have come out in unsentimental perspective especially in the era of gangs, drugs, and guns in the society. The family, in this case, is depicted as being rootless, emotionless, and often propagating the chances of developing violence amongst the same members of the family. The play brings out a society that is too deceptive for one to believe it is right and moves ahead to bring in some surrealistic and mythical realities that are geared toward the exploration of themes in the play. Such issues include family discord and misconceptions among others (Hughes no page). The myth of the old west policies alongside the need and nature of personal identity in the play takes center stage to the propagating of the dominant theme in the game.
Both the films seem to be too engrossed on the factors linked to family ties as both authors try to bring out the urge of the characters to find their identities and paces in crime and the community at large. This idea brings the audience to the realization that the influence of money stands out clearly among the two plays. The issue of expecting the money, not having it, and the actual pattern of expenditure becomes a significant factor just before the aspect of gaining the money (Singleton no page). The money factor battles in these plays are pegged on the funds or capital factors. The element of sharing the wealth only arises after the death of a prominent character where the issues of heredity resurface to haunt the beneficiaries in the whole program. As much as all these issues are linked to money, the most significant question revolves around the reality of these claims because every person in the society must have some personal stories concerning funds and family (Hughes no page). Amazingly, in the cat in the hot tin roof, there is only one character that seems not to be swayed into the whole confusion of money issues.
Singleton, John. "Boyz n the hood [Film]." Los Angeles: Columbia Tri-Star (1991).
Hughes, John. The Breakfast Club [Film]. Universal Studio, 1985.
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