Paper Example on Resonance of Jingdezhen Traditional Handmade Porcelain Skills

Jingdezhen is often referred to as porcelain capital for its role in both domestic and international ceramic industry and has, for the longest produced high-quality porcelain that is highly acknowledged in china and across the globe. Jingdezhen porcelain has been very famous across the world since the traditional ages. The city’s hand-made porcelain gained credit along the Maritime Silk Road during the 17th Century, where at some point more than 100,000 of Jingdezhen's 1.6 million people worked in porcelain industries (Wenting, 2019). However, the number has reduced over the past decade to around 50,000 since it does not provide reasonable income, while most of the skilled are in the '70s while the young people do not embrace the traditional craft skill. Jingdezhen's porcelain has turned out to be a tremendous Chinese culture name card across the world, and cultural self-confidence has been the major contributor (Li et al., 2012). Through its cultural assets and advantages, Jingdezhen has organized successful renowned activities on ceramic arts such as partnerships and exchanges projects promoting its cultural legacy and diversity. These celebrations and activities such as World Summit Mayors from Ceramic cities and the Jingdezhen international ceramic fair have established a platform for diversified cooperation and renovation Jingdezhen into a creative ceramic city with self-cultural confidence and artistic resonance (“United Nations Education. Scientific and Cultural Organization,” n.d) The culture stimulated by the Jingdezhen's porcelain is the pride of Chinese nation and also a valued asset of state development. Over the years, it has maintained self-confidence and self-esteem in China and has also has been a necessary force to push China's economic growth and development (Jiang, 2018).

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Research Questions

What has been the significance of Jingdezhen’s porcelain to the Ceramic industry across the world

What have been the developments and trends in Jingdezhen porcelain to date?

What is the future of Jingdezhen’s porcelain?

Statement of Problem

The concept of porcelain skills in Jingdezhen as the significant cultural heritage of China is thrilling. China has been famous for the development of ceramics in the porcelain city, and this has made the country have cultural self-confidence and pride. However, the place of Jingdezhen’s porcelain in the modern world with fast-paced technologies is unpredictable. Jingdezhen's porcelain creation goes into a predicament. Further few studies focus on the status of the resonance of Jingdezhen's porcelain skill from the perspective of cultural ethics.

Literature Review

Researchers have immeasurably contributed to the literature by investigating cultural self-confidence and resonance of Jingdezhen's porcelain and its contribution to the Chinese culture. For instance, Gerritsen (2020) acknowledges the spread of ceramics to the Asian countries and Europe and its reputation across the world. The Porcelains were shipped by traders all over the Afro-Eurasian continents.

Huang (2018) acknowledged Jingdezhen's porcelain's significance, which lied in their very inexplicability of artistry and ability to index both bodily transformation and the infinite formal transformation for the Qing empire. Most emperors got their porcelain from Jingdezhen due to its ooze of refinement and elegance, and over centuries porcelain became an iconic cue of the heights of imperial splendor the excellent craftsmanship with high art had been a signature asset for Chinese Civilization and cultural heritage (Zhang, 2017).

Xinhua (2019) confirmed that China's government is in the process of building Jingdezhen into a national ceramic cultural inheritance and innovation pilot zone. The well-known porcelain city was given the opportunity of culture protection, innovation, and growth of the culture ceramic industry. Further, through such developments, the city will be a famous ceramic culture tourism destination and international ceramic cultural exchange.

Tradition is not only the wealth but also a burden. In the Millennium porcelain development, Jingdezhen has left a lot of ground cultural relics and formed big ceramic industries such as Royal Porcelain and Hutian Kiln sites. According to Li et al. (2012), during porcelain production, an authorized kiln was influential in Jingdezhen's brilliance. In modern times Jingdezhen porcelain production was in distress due to pressure from European and Japanese porcelain.

In the new Era, Zhou (2018) denoted that China is on a critical period of reform. To realize the cultivation of cultural self-confidence, the Chinese government must adhere to the path of socialist cultural development with China's characteristics.

Significance of the Study

This research will contribute to creating knowledge and expounding the cultural aesthetics of Jingdezhen's porcelain. It will further help determine the significant cultural contributions of Jingdezhen's porcelain in Chinese Cultural heritage and cultural self-confidence.

Research Methodology

Qualitative Research Design

Qualitative research design is generally a method of research used by researchers to study human behaviors to explore specific circumstances and tendencies (Hennink et al., 2020). Maxwell (2012) noted that qualitative research is designed to expose the behavior and observation of the target audience concerning a particular topic. The qualitative research design involves direct or indirect interaction with people or respondents (Patten & Newhart, 2017). In this study, the information will be collected through interviews with the respondents. Qualitative research is an easy-to-plan and flexible method of analysis suitable on a small scale and large scale (Tracy, 2019).

Sampled Population

The target population for this research will include the respondents from China’s cultural institutions, Jingdezhen's porcelain industries, and respondents from the Chinese cultural exchange programs. The total target population for the study will be 30 respondents with 10 from china's most prominent cultural institution (palace museum), 10 from Jingdezhen's oldest porcelain industry, and 10 from the current Chinese cultural exchange program.

Questionnaires and Secondary Data

The study will make use of both primary and secondary data. The study's surveys will include simple questions systematically amassed in two different parts and will be used to collect data from the respondents. A questionnaire is a research technique that consists of a series of questions with the primary aim of gathering information from the participants (Parfitt, 2005). Part of the questionnaire will give the participant's demographic data, while part two will include simple closed-ended questions. The secondary data will be collected through feasible and viable sources such as journals, books, newspapers, and any other applicable and reliable secondary reference. Secondary data involves the data not collected directly by the user such that it is ready and analyzed by someone else (Heaton, 2003).

References

Gerritsen, A. (2020). The City of Blue and White: The Chinese Porcelain and the Early Modern World. Cambridge University Press. https://books.google.co.ke/books?id=BX3UDwAAQBAJ&pg=PA14&lpg=PA14&dq=challenges+of+Jingdezhen+porcelain&source=bl&ots=RxX1oe1naS&sig=ACfU3U1qHSu2zhRsg6B4pWEcxc76zf6-ug&hl=en&sa=X&ved=2ahUKEwihr7_luajqAhVz5eAKHUq6BOwQ6AEwFnoECAoQAQ#v=onepage&q=challenges%20of%20Jingdezhen%20porcelain&f=false

Heaton, J. A. N. E. T. (2003). Secondary data analysis. The AZ of Social Research, Sage, London, 285-288.

Hennink, M., Hutter, I., & Bailey, A. (2020). Qualitative research methods. SAGE Publications Limited. https://books.google.com/books?hl=en&lr=&id=_InCDwAAQBAJ&oi=fnd&pg=PP1&dq=Hennink,+M.,+Hutter,+I.,+%26+Bailey,+A.+(2020).+Qualitative+research+methods.+SAGE+Publications+Limited.+&ots=3teSoTs4kx&sig=aENfx312-ERVRyjYI77WWVARZkc

Huang, E. (2018, October 01). An Art of Transformation: Reproducing Yaobian Glazes in Qing-dynasty Porcelain. Archives of Asian Art. https://doi.org/10.1215/00666637-7162228

Jiang, L. (2018). Valuing Craftsmanship: In Particular, the Crafting of Chinese Porcelain and Dutch Delft Blue. file:///C:/Users/user/Downloads/PhD-thesis-Lili-JIANG.pdf

Li, S., Wang, S., & Li, X. (2012). The Development of Jingdezhen in the View of Cultural Innovation. Studies in Sociology of Science, 3(4), 45-49.

Maxwell, J. A. (2012). Qualitative research design: Interactive approach (Vol. 41). Sage publications. http://www.academia.edu/download/61606953/_Joseph_A._Maxwell__Qualitative_Research_Design_An_Interactive_Approach_Applied_Social_Research_Methods20191225-52410-1dmjs6v.pdf

Patten, M. L., & Newhart, M. (2017). Understanding of research methods: An overview of the essentials. Taylor & Francis. https://www.taylorfrancis.com/books/9781315213033

Parfitt, J. (2005). Questionnaire design and sampling. Methods in human geography: A guide for students doing a research project, 2.

Tracy, S. J. (2019). Qualitative research methods: Collection of evidence, crafting analysis, communicating impact. John Wiley & Sons. https://books.google.com/books?hl=en&lr=&id=ipOgDwAAQBAJ&oi=fnd&pg=PP17&dq=qualitative+research+design+benefits&ots=WuC3m_bxEl&sig=DsXkBP6d8dQgrBR7ir9plpXdOkA

Huaxia. (2020, June 30). China’s Porcelain Capital Jingdezhen to Emerge as World Culture Center. Xinhua Net. http://www.xinhuanet.com/english/2019-10/10/c_138461708.htm

United Nations Education. Scientific and Cultural Organization. (N.d). Creative Cities Network: Jingdezhen. United Nations Education. Scientific and Cultural Organization. https://en.unesco.org/creative-cities/jingdezhen

Wenting, Z. (2019, March 19). Porcelain Center in Jiangxi to Protect Traditional Culture. China Daily. http://www.chinadaily.com.cn/a/201903/19/WS5c903effa3106c65c34ef500.html

Zhang, M. (2017, September 15). Jingdezhen: Where Emperors got their porcelain. Caixin. https://www.caixinglobal.com/2017-09-15/jingdezhen-where-emperors-got-their-porcelain-101145647.html

Zhou, A. (2018, May). Study on the Protection, Inheritance, and Development of Jingdezhen Ceramic Culture in the New Period. In 2018 8th International Conference on Social science and Education Research (SSER 2018). Atlantis Press. file:///C:/Users/user/Downloads/25898980.pdf