Dreams Unveiled: Exploring Surrealism and Dada in 20th-Century Art - Free Paper Example

Published: 2024-01-22
Dreams Unveiled: Exploring Surrealism and Dada in 20th-Century Art - Free Paper Example
Type of paper:  Essay
Categories:  Art
Pages: 3
Wordcount: 722 words
7 min read

Surrealism is named to be a 20th-century art in which a writer or artist combines unrelated events and images in a dreamlike and strange manner, which is according to the dictionary. Artists used this art style when they wanted to reject their world. Most of the ancient paintings resembled a scene from dreams, and shows of the whimsical world separate from the cruel and harsh world. This kind of art was commonly used after the early European artistic movement referred to as Dada.

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At the start of World War 1, individuals never seemed to be interested in art that resembled what they wished life to be at the moment; calm, normal, or at other times happy, which was the first time that Dada appeared. Persons blamed the Industrial Revolution for advancing them during wartime and the Dada Movement presented how individuals rejected the art tradition as a reaction (Bigsby, 7). Most of the artists during the period started wondering if the change would be necessary. As they viewed it in such a way that if the ages of industrial and scientific achievement did lead it they would lead to suffering and mayhem of war. Showcasing styles like cubism, futurism, and surrealism in Dada were surely exclusive due to the point that all the listed styles had been rejected by society. Dada banned logic and reason, irrationality, prizing nonsense, intuition, and illogicality which was precisely what individuals would appeal to during such difficult periods (Bigsby, 9).

Artists like Rene Duchamp Marcel and Magritte were commonly known for their contribution to surrealism and Dada in odd customs. The pieces he created seem extremely easy, but not the way they seemed. Like in The Treachery of Images painting by Rene, is a display of a pipe with the imprinting ‘this is not a pipe’ that is inscribed in French. People at that time showed it as contradictory, while the artist was really stating a wise fact. Alternatively, Marcel submitted a piece of Dada’s art called ‘Fountain’ that resembled a urinal with an ‘R. Mutt’s signature. At first, the paint was rejected by individuals as they did not expect such paint, although it did represent a great job that Dada wished. The different approach the artist used upset and confused the middle class or bourgeois people in Paris, in arrears to its obvious denial of the usual principles of art.

To the degree that fantastic surrealism energies, Salvador Dali distributed some paintings that the multitude rejected. In one of his famous paintings ‘The Persistence of Memory,’ Dali displays a trickle of compact watches that are extent round and melting in the hotness. The pulsating appearance and color of the wristwatches seem to show the denial of logic and reality. This represented surrealism as it was a substitute for reality or dream. Dali branched out and re-formed somewhat what generally resides within human intuitive minds and he did it interestingly. . People in that era were not used to viewing art that neglected logic. Surrealism did mimic romanticism as the two focused on fantasy and imagery, instead of showing accurate scenarios as practicality did.

WW1 left most people wondering and scared I technology, logic or reality were good ideas. These artists noticed people’s pain and permitted individuals who viewed their work to imagine reality differently. The artist disproved any usual things society was familiar with, and in its place recoiled into the world of fancy sharing their surrealist thoughts without favor for guidelines. Whereas these artists dreamed of fanciful sights, the artists from Dada’s movement brought mockery and shame to all things that were reflected as usual, as if the society’s new sight on the world (Bigsby, 7). However, the two art styles were rejected at first, they were uniquely necessary during the post-wartime as they helped people figure out things differently.

Works Cited

Bigsby, Christopher William Edgar. Dada & surrealism. Vol. 22. Taylor & Francis, 2017. 1-97 https://books.google.co.ke/books?hl=en&lr=&id=sEUrDwAAQBAJ&oi=fnd&pg=PP1&dq=Dada+Manifesto++by+Marcel+Duchamp,+Ren%C3%A9+Magritte,+Salvador+Dal%C3%AD,+Francis+Picabia,+and+Giorgio+de+Chirico,&ots=6HKc6zVZ00&sig=uWWBH98m6RL9YvR6bW1zT0Ju_2s&redir_esc=y

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