|Type of paper:||Creative writing|
|Categories:||Music Inspiration Entertainment|
Toccata and Fugue in D Minor are one of the most populous works of Johan Bach. This music has since often been adopted in several Television, radio stations, and films across the world. Bach's Toccata and Fugue in D Minor does not employ one specific instrument for the music, but instead, he adopts a variety of instruments in the music performance. These instruments include English horns, flutes, clarinets, bass clarinets and bassoons. Furthermore, contrabassoons, trumpets, trombones, tuba, tympani, celesta, strings and harps are also employed in the music.
Furthermore, Bach's Toccata and Fugue in D Minor employs a mixture of monophonic, polyphonic and homophonic textures. For example, as the music begins, Bach uses a thin monophonic texture, particularly with the same melody played by one voice before the second voice gradually enjoins it. The chords resulting in a homophonic texture then support the melody. The polymorphic texture, which is a combination of soprano, alto, tenor and bass, creates a pleasant melody for the music.
The harmonic way in which Bach has employed both homophonic and polyphonic texture in his music is undoubtedly impressive. The different notes from various melodies nicely fit together, resulting in a chord (exact harmony) and creating a pleasantly slow to medium tempo for the work. The primary intention of artist Bach is to entertain the listeners through properly organized tempos and melodies.
Analysis of A scene in the Marriage of Figaro
The Marriage of Figaro which is viewed as a continuation of The Barber of Seville comprises of four major acts. The first act begins with Dr Bartolo seriously seeking to revenge against Figaro who had interfered with his plans to get married to Rosina. Almaviva Count, on the other hand, has outgrown his youthful stage and is engaged in bullying and skirt-chasing baritone. After Figaro has been given a job as the head of the staff, Almaviva Count is now consistently involved in attempts to bed a servant girl Sussana who is Figaro's bride to be. Sussana is the maid to the Almaviva Count. She is aware of this plot and informs Figaro who assures her of his determination to thwart the plot. Within this act a young page by the name of Cherubino has been caught with the gardener's daughter he seeks consultations and advice from Sussana since he is to be sent away. Before Sussana begins advising him, Court enters and tries to persuade her.
However, there is a voice heard at the door, and the Almaviva Count is interrupted. He is then forced to go into hiding. As Basilio enters the room, the Court gets out from his hiding place and reveals himself. He is oblivious of Cherubino's presence. He goes ahead to proclaim that he shall chase away Cherubino for being found with the gardener's daughter. Interestingly, Almaviva Count finds out the hiding Cherubino, and he has been highly annoyed because he has been overheard by Cherubino pursuing SussanaAlthough the wedding has been planned for the very day, Almaviva Count is seen to be consistently seeking for various avenues to delay the civil part of the wedding of the two servants. The two servants, together with Figaro, realize his plans, and they conspire to embarrass him through exposing his schemes. However, he retaliates by compelling Figaro to get involved in a legal marriage with a woman who is almost the age of his mother. Figaro and Sussana use their wit and manipulations to restore the love between the Court and his Courtesy
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