An exhibition of The Traces of The Past, at The Asian Art Museum, San Francisco, United States of America, December 15, 2017 - September 15, 2018, by Ero Zhao accompanied by the curator Fu Shen. Fu Shen, the curator, works in the perfect combination of calligraphy, ceramics, landscape as well as poems, not forgetting and the memoir. Fu, being a teacher and scholar, has identified his unique artistic levels and voice after years of experience and study. Fu Shen is celebrated for offering painterly calligraphy quality as well as weaving a perfect self-made narrative into delicate and light landscapes. Out of these, he honors and extends the Chinese ink art tradition which is unique amongst the Asian tradition arts. Aspects that make Fu Shen a celebrant is his skills in the perfect depiction of the Chinese ink art in his painterly as well as calligraphy whose quality stand out.
Fu's significant Chinese art contributions are his exemplary work in ceramics. Fu uses the Jar with motifs of spring flowers as well as the autumn moon to bring out the calligraphy art in vases. Also, Fu Shen brings out the modern nature of the jar by the use surprising glazes which are colored brightly. Exhibitions at The Asian Art Museum in America, Fu Shen's exemplary work is honored on his 80th birthday. Fu Shen's faithful as well as fresh interpretations of Chinese ink art is set to give anyone an additional understanding of that honored tradition.
Creativity, as well as inventively approach, is depicted in Fu's Patching the Broken Net in seal script as well as the cursive script. As beautifully shown in the hanging scroll, he portrays the fishing net of the title in an artistic and pictorial rendering of the three characters: net, broken and patch. The meaning of the words, the painting of the net, as well as the gestural characters all bring together exemplary and robust work whose central message is, "No to quit or give up."
Focusing on landscape painting, one of the most celebrated painters of the early times dated seventeenth century is Wang Hui. Wang played a significant role in the revitalization of past landscape painting traditions where he came up with foundations, stylistic for the superior sponsored art of the Qing court. As a result of Wang's high ambitions as well as the excellent talent which was protean, he came up with an all-appreciating synthesis of historical landscape styles. The landscape styles included one of the unique and fabulous artistic innovations in late imperial China. The first English published the broad study of the painter, contains three essays that in unison consider his artistic achievements, his life, and career, as well as his masterwork, the series of twelve monumental scrolls. Wen Fong's essay studies Wang's knowledge for "The past repossession," his mettle to indulge in a dialogue which was inventive with previous artists as well as the absorption of their stylistic personae in a quest to come up with solely distinct work. Chin-Sung Chang followed with Wang's development entire narration as an artist, from his youth in the Yushan Village, China, all through his fame which was both in his locality at Yushan and later on national. Wang's exemplary work was in Maxwell Hearn's essay where he discussed the scroll sources, citing Wang and his support team as artistic innovators.
Fu Shen artistic skills are depicted by a total of eighteen artwork in The Traces of the Past and Future exhibition. These include the calligraphy, the landscape painting, as well as Fu Shen's favorite artwork, glazed ceramics. Fu Shen stands to be one of the greatest artists in the Chinese history.In coverage of Fu Shen artwork, he brings out his work in a poetically themed commentary using his skills in the art to bring out the best of his psychology. These are made possible by the fact that he copied old masters scrolls as well as the emperors'' full handwriting. Fu's works showcased in the Museum are borrowed from a Taiwan based private collection. The exhibition stands to be a unique gateway to experiencing Fu Shen's exemplary work at a closer glance, appreciating his techniques which are still fascinating. As Li He, an associate Chinese art curator at the Asian Art Museum brings it out, there is so much and inexhaustible past which is enshrined in Chinese art that the appreciation of the new art in the block becomes hard. Fu Shen is one of the most celebrated artists who has brought out figurative calligraphy qualities alongside painterly ability.
Fu has made up his narrative into the spirit-like depictions of the sky as well as the mountains. Fan Z., a senior curator of Chinese art after being interviewed says that Fu's artwork can be likened to a sweet flowing of jazz music in a quest to draw past melodies and rhythm to create art that is solemnly modern. A historical background as to who Fu is shown that Fu Shen was born eighty years ago in Shangai, China. After thirteen years of his birth, Fu moved to Taiwan. Fu Shen worked at Taipei National Palace Museum after attending to his education at Taiwan. Fu earned an art history doctorate after some years in Princeton University, where through the educational achievements, he lectured at Yale as well as serving as a Chinese art curator, a job he did at Freer Gallery of Art and later on in Arthur M. Sackler Gallery in Washington D.C.
Fu later retired agreed fifty-seven years on a mission to get back to Taiwan and focus his energies on his abilities which were calligraphy. He although became a professor where he lectures in some universities till date. Fu's total determination in the art for a lifetime places him among the significant reflections of the 20th-century artists whose exemplary and commentary work are impressive artwork.
Jay Xu, the Asian Art Museum Director, says that the current exhibition, Traces of the Future and Past is a significant symbol or representation of a particular generation and culture which is Chinese. Stepping into the ancient Chinese culture, Fu Shen mastered and kept all classical arts which to note, were different significantly basing it on the dozens of years of the Chinese culture and history. Accompanying the exhibition will be a twenty-minute film from the year 2017, Fu Shen: Traces of the Brush by Zhao Eros. The same film will have a world premiere on December 10, 2018, for public screening. It, therefore, puts the Traces of the Past and the Future to be an exhibition of a lifetime. With the attendance of Fu Shen, the principal celebrant, alongside other distinguished Chinese art designers and curators, Traces of the Past and the Future should be in the 'To-Do' list of all artwork enthusiasts.
The Traces of The Past and Future is an exhibition that is destined to bring out the essence of cultural appreciation as well as respect for diversity in culture. With the displays, comes a rich Chinese culture which brings out the old living, lifestyle, and ways of life of the traditional occupants of the nation. The appreciation of art is the core goal of the Traces of The Past and Future exhibition at the Asian Art Museum where several artists such as Fu Shen are featured.
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